Photo by Ted Waddell
"Rilla Askew is known for the energy, emotional range and formal complexity of her work in long-form fiction. She writes with vivid dramatic assurance and rich compassion of the events of Oklahoma, and indeed, American history, her scope both intimate and epic. She tackles brutal issues of race and culture without pulling punches, yet she evokes the essential humanity of all her characters. Sometimes terrifying, sometimes lyric, sometimes funny, always engaging, her fiction like Faulkner's explores the related tragedies of family and history. As in the work of Cormac McCarthy, Askew shows how an unforgiving landscape resonates in human fate."
--Patricia Eakins

Askew received a 2009 Academy Award in Literature from the American Academy of Arts and Letters. Her essays and short fiction have appeared in a variety of journals, and her story "The Killing Blanket" was selected for Prize Stories 1993: The O. Henry Awards. Askew's first novel, THE MERCY SEAT, was nominated for the PEN/Faulkner Award, the Dublin IMPAC Prize, was a Boston Globe Notable Book, and received the Oklahoma Book Award and the Western Heritage Award in 1998. FIRE IN BEULAH, her novel about the Tulsa Race Riot, received the American Book Award and the Myers Book Award from the Gustavus Myers Center for the Study of Bigotry and Human Rights. She was a 2004 fellow at Civiella Ranieri in Umbertide, Italy, and in 2008 her novel HARPSONG received the Oklahoma Book Award, the Western Heritage Award, the WILLA Award from Women Writing the West, and the Violet Crown Award from the Writers League of Texas. A new edition of her book of stories, STRANGE BUSINESS, has recently been issued by the University of Oklahoma Press.


The American Academy of Arts and Letters citation for 2009 Academy Award in Literature:

"Five generations of Rilla Askew's family have occupied southeastern Oklahoma. Celebrating this birthright, she has concocted of it her own Faulknerian kingdom. Askew is writing a mythic cycle, novels and stories that unsettle our view of the West's settling. In a continuous fictional mural populated with hardscrabble souls - credible, noble and flawed - Askew is completing the uncompleted crossing of the plains. Trusting prose that is disciplined, luxuriant and muscular, she is forging a chronicle as humane as it is elemental."

Allan Gurganus
May 20, 2009